Video Synthesis Artists Include: Danielle Abrams, John Fekner, Darren Foster, Simon Gris, Ray Neufeld, Ryan Seslow, Monica Spier, and Lee Wells.   Curated by Ryan Seslow QCC Art Gallery The City University of New York Queensborough Community College May 1 - July 31, 2008 http://videosynthesisqcc.blogspot.com Video Synthesis Blog site http://www.qcc.cuny.edu/ArtGallery/Programs/Exhibits/videoSynthesis Video Synthesis Official site on The QCC Art Gallery Web site "Video Synthesis” is an examination of the Inter-relationships of Video Art, Performance, Experimental Film, & Vanguard Documentary. The purpose of this exhibition is to survey, expose, and raise the awareness of motion related art through the medium of video. The works exhibited have all been created using a digital video camera and computer based editing software as a means of expression and communication. It was my intention to select a diverse array of artists that focus on various subjects and techniques to execute their work. The show will present fragments of traditional video art, aspects of performance based art, narrative experimental film, and vanguard documentary. The works have been placed in a chronological order to be viewed one after another. I feel that each piece will add to what synthesizes fragments of a larger whole. The chronological flow of each piece creates a perceptual module. Video Synthesis will be shown on: Wednesdays @ 1 pm - 2 pm Thursdays @ 6 pm - 7 pm Sundays @ 1 pm - 2 pm All screenings are in the Media Room at: The QCC Art Gallery Queensborough Community College The City University of New York 222-05 56th Avenue Bayside, NY 11364

AES+F, Kings of the Forest New York (Courtesy of Clair Oliver Gallery)

ДРЕЙФDRIFT Special Project - Elevators Artists include: AES+F Group (RU), George Barber (UK), Victor Davydov (RU) Wai Kit Lam (CN), Masha Sha (RU), Alexander Shaburov (RU) Jemima Wyman (AU), Petra Lindholm (SE) Zer Gut group (RU) Co-curated by Alisa Prudnikova (NCCA) and Lee Wells (IFAC) Art Net Magazine Review by Ben Davis ARMORY ACTION ДРЕЙФDRIFT, investigates video artists navigating the psychological liberation and isolation brought about through new global cultural and technological advancements in the 21st century. ДРЕЙФDRIFT is a video section preview to the upcoming exhibition In Transitions at the Russian National Centers for Contemporary Art in collaboration with NeMe.org. This special exhibition features an international program with a focus on artists based in the Ural region of the Russian Federation. Alisa Priudnikova is an art theorist, curator, critic and the director of the Ekaterinburg Branch of the National Centre for Contemporary Arts (Russia). Lee Wells is an artist, independent curator and director of the Brooklyn-based artist organization IFAC-arts and co-founder of Perpetual Art Machine. Dates: March 27th – March 30th, 2008 VIP Preview Thursday, March 27th 11 a.m. - 1 p.m. Public Hours Daily Thursday - Sunday, March 27-30th 1 p.m. - 9 p.m. Address: 7W 34th Street NY-10001 New York VOLTA—the cutting-edge art fair that debuted in Basel - brings 53 international artists, 52 galleries and three special projects to New York during The Armory Week for its inaugural solo invitational exhibition, VOLTA NY, held at an extraordinary location off 5th Avenue, immediately opposite the Empire State Building. This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.voltashow.com

Flatland Limo Project: NYC 2008 - A Moment in Art in Many Dimensions. Infinite pathways through the city's text are created, In a moment, an instant a whole new city unfolds. Short non-narrative videos curated with reference to Abbott. Created and curated by Holly Crawford Artists: Renaud Bezy, Brian Bress, China Blue, Adam Ekberg, Madeleine Flynn & Tim Humphrey, Rainer Ganahl, Michael Greathouse, Liselot van der Heijden, Pablo Helguera, Pia Lindman, Nina Katchadourian, Pia Lindman, Lilly McElroy, Marjarn Maghaddam & Adam Caine, Jane Philbrick, Linda Post, Jeremy Slater, Lee Wells, Pawel Wojtasik. 18 unique half hour segments, over 3 days, starting at 5:30 from Armory and back to the Armory. Look for the white limo in the sea of black at Pier 94. Refreshments and conversations are always on the menu. The white limo, the white box, is experimental space, movable salon and moment in art. Date: March 28, 29, 30 Time: 5:30, 6, 6:30, 7, 7:30, 8 Place: Pickup and drop is The Armory, Pier 94 (The 8 pm run will finish in Chelsea at about 8:30 each night. ) Free Reservations suggested For more information please visit www.artcurrents.org

Perpetual Art Machine presents The Future Was Then ….. so now what Please join us in the SCOPE Lounge to celebrate the anniversary of the Perpetual Art Machine video art project and to commemorate the video art legend Nam June Paik. Paik was credited over thirty years ago with coining the phrase “The future is now”.  [PAM] asks what that means today in our rapidly changing world by presenting an ambitious program of five specially curated video projects organized by Jarrett Gregory, Robert Adanto, Yiannis Colakides and Helene Black, Andrew Erdos and Ali Hossaini in addition to the newest incarnation of the [PAM] installation. Special thanks to Scope Art Fairs, NeME.org, IFAC, and the Museum of Art and Design. SCOPE New York March 26-30 08 Lincoln Center, 62nd & 10th Ave New York, New York

We read [PAM]’s curatorial concept “THE FUTURE WAS THEN .......... SO NOW WHAT?” as a reference  to the state of the medium itself and, as video is yet to be defined, our contribution showcases some of its formalistic investigations. Sean Cubitt writes: “video had a tendency, despite its early formalism to undertake to do broadcastings without broadcasting, filming things without film”1. A curatorial approach can admittedly not stand in such a thin yet very valid ground. So - as with any selection we have to define boundaries within which works have to be omitted in favor of ‘representative’ samples. According to Cubitt again. “...video prevents the prerequisite for a theoretical approach: that is, deciding upon an object about which you wish to know.”2 So if video refuses to be defined or abide to any theory, what is the platform which can be used to curate such works? Video’s presence in international art exhibitions and major collections has been documented since the 60s but most of the curatorial decisions for the inclusion of those works were made using aesthetic theories borrowed from the ‘traditional’ fine arts. This fact has helped the medium to establish itself in the mainstream art scene but also prevented it from occupying its own territory - that is to establish a set of aesthetic considerations which would exist ONLY for and within this medium. - Yiannis Colakides and Helene Black 1 http://www.rewind.ac.uk/Sean%20Cubitt.html (sighted on 15 Oct 2007) 2 Cubitt, S. Videography: Video Media as Art and Culture. Basingstoke: Macmillan, 1993, page xvi   ---- [PAM] Best of the Next Featuring: Anna Chiaretta Lavatelli,  Bethany Fancher, Tim Folland, G.H. Hovagimyan, Patrick Lichty, Michael Lisnet & Sophie Sindahl Ivernesse, Andrew Logan, Francesco Sambo, Molly Schwartz, Lucien Samaha, Tor Jorgen van Eijk, Alison Williams, Amelia Winger-Bearskin, [dNASAb], and more.  Call and Response Lutz Bacher, Neil Beloufa, Driton Hajredini, Domenico Mangano, Joshua and Zachary Sandler Curated by Jarrett Gregory Call and Response assembles five videos that address disparate modes of communication, from confession to telepathy, to compose a dialogue of verbal and non-verbal interaction. Drawing from the musical technique in which an unfinished phrase is answered by the audience or another performer, Call and Response explores the way in which these stories speak to the viewer and to one another. The subjects are characterized by their acquiescent exposure, allowing the work to achieve an intimacy that is at times desperate, absurd, and mystical. The dialogue follows Driton Hajredini’s confession in a German church; Neil Beloufa’s science fiction documentary; Joshua and Zachary Sandler’s unnerving exploration of mislaid grief; Domenico Mangano’s comic and tender portrait of a local personality; culminating with Lutz Bacher’s capture of an infectious performance.  About Jarrett Gregory Jarrett Gregory is a Curatorial Assistant at the New Museum of Contemporary Art in New York, and an independent curator. She is currently working on Paul Chan’s upcoming exhibition The 7 Lights.  Before joining the New Museum, Jarrett worked at the Whitney Museum, first on the 2006 Biennial and most recently as Curatorial Assistant to the Chief Curator, working on Lawrence Weiner’s retrospective. Jarrett curated Lutz Bacher's six-channel video installation Scenes from the Ring (2006) at White Box non-profit arts space in Chelsea. She earned her BA in Art History from Vassar College. The Rising Tide Shiyi Sheng, Xu Shuxian, and Zhang O Curated by Robert Adanto The aim of the exhibition is to offer the public a close encounter with contemporary Chinese art through recent works by emerging contemporary artists: Xu Shuxian, Shiyi Sheng, Zhang O, leading exponents of the latest generations, all of whom have achieved important international recognition. Artists who in their work reflect on the impact that current society has on personal experience and denounce the alienation of individuals in the modern urban environment. Their work emphasises exploration of the self, reflection on personal identity, and how this has been modified by the advent of new social conditions. In this context art takes up the redeeming position of a counter-reaction to the changes in social, cultural and political structures. Adanto's feature-length documentary of the same name will be screened in collaboration with [PAM] at Monkeytown on Thrursday March 27th at 7:30. For more information go to www.therisingtidefilm.com. About Robert Adanto Robert Adanto is an independent documentary filmmaker, who made his directorial debut with The Rising Tide, a documentary investigating the Chinese Contemporary Art scene, featuring Cao Fei, Xu Zhen, Wang Qingsong, Chen Qiulin and Zhang O. He earned his MFA in Acting at New York University's Tisch School of the Arts and is currently working on two other documentary projects: a short he shot in the Kibera slums of Nairobi, and a second project that will take him to Tehran in December.   The Mirror Stage ... so now what? Muhammad Ali, Henry Gwiazda, Roddy Simpson, Eva Olsson, Orit Ben-Shitrit and Harold Moss Curated by Yiannis Colakides and Helene Black / NEME.org From documentary and guerilla video to story telling, from traditional animation, to compositing, to machinista and from optical and kaleidoscopic to algorithmic visualizations, video has come a long way since the early experiments with the medium in the 60s and 70s. This small selection of works crosses video genres to create a narrow spectrum of some of the medium’s possibilities. The constructed (animated) or manipulated (using compositing) moving image is the common thread linking the video works. Our selection for SCOPE does not provide answers to the questions but investigates through seven works the absence of any predominant form. For this selection we focused on single channel ‘narrative’ works - even when that narrative was an abstracted one as in the case of Roddy Simpson’s ‘Stair’ which uses composite techniques to create a poetic dance video reminiscent of Duchamp’s ‘Nude Descending the Staircase’ or Henry Gwiazda’s machinista work ‘A Doll’s House is......’ which explores urban themes within a virtual world evoked in a screen split into four. These stand in contrast to Eva Olsson’s socio-politicized computer animation ‘Taking Control’ and Muhammad Ali’s ‘Face’, ‘Shadows’ and ‘Verting’ which use traditional hand drawn animation techniques. Finally Orit Ben-Shitrit and Harold Moss’ ‘The Long from Inside’ uses state of the art 3d animation to reveal a gothic world. The five video makers are thus presented together not for their similarities but for their differences, emphasizing the very pertinent question “...SO NOW WHAT?”. For more information on NEME and The Mirror Stage project go to www.neme.org. About NeMe NeMe (pronounced neem) is a non profit, non government, Cyprus registered cultural association founded in November 2004. NeMe works on two platforms – a virtual and an itinerant one – and focuses on contemporary theories and their intersection with the arts. NeMe’s itinerant platform, the IMCA (Independent Museum of Contemporary Art) presents NeMe projects which include, exhibitions, project InForm, performances, new media events, symposia and archives. The form of the IMCA is determined as a practice or process by the nature of each project with the notion of the exhibition “space” being constantly revised and redefined. The founders of NeMe are Helene Black, Yiannis Colakides and Konstantinos Sophocleous. The new millenium isn't space age, it's raw Michael Barrett, B-Team, Ondrej Brody and Kristofer Paetau, Julie Casper Roth, Colette Copeland, Celeste Fichter, Juliana Cerqueira Leite, Naomi Leibowitz, Benjamin John Van Male, J.D. McPherson, A.D. Logan, Zach Rockhill, A.R. Wilkinson, Jessica Yatrofsky, Hye Yeon Nam Curated by Andrew Erdos As we continue into the new millennium we step away from technology and focus our attention on something more basic, raw and less institutionalized. Over time art's values change and so do our perceptions. 160 years ago Gustav Courbet was being rejected by the Paris Salon and shocking the establishment with his rough brush strokes and un-idealized depiction of humanity. Now he is viewed as an important figure in art history and a master of his time (with a retrospective at the Metropolitan Museum of Art occurring simultaneously with SCOPE NY 2008). The videos in this exhibition are literal, physical, and real. They are documentations of performances that challenge the physical and physiological stamina of the the artist and the viewer. These pieces address the banality and absurdity of widely accepted art and entertainment. The new medium of video is used to re-contextualize seminal pieces from art history and apply them to the present. It is the new millennium and it isn't space age, it involves chickens, vomit and Rachel Ray. About Andrew Erdos 23 year old renegade rude boy American artist Andrew Erdos is on the rise. Erdos has shown his unique combination of performance, video and time based sculpture in over 15 venues in 11 countries on 4 continents since graduating Alfred University in 2007. Recent venues have included Beijing BS1 Contemporary Art Center, the Cultural Center of Spain in Tegucigalpa Honduras, and the Los Angeles Center for Digital Art. Erdos was a featured artist our show "Perpetual Art Machine: Video Art in the Age of the Internet" at the Chelsea Art Museum and has been a P.A.M member since 2006. Voom HD LAB Schpilin Aqui, Theo Angell, Ericka Beckman, Lili Chin, Bradley Eros, Ali Hossaini, Fred Taylor, Leslie Thornton, Grahame Weinbren, Pawel Wojtasik, Ellen Zweig Curated by Ali Hossaini LAB HD was an experiment of Voom HD Networks. For three years it provided selected artists and filmmakers with the tools to explore high-definition video. Participants worked in a professional facility with complete creative freedom, and their work was broadcast nationally in the USA on an eponymous TV channel. Top creative talent ranging from Hollywood stars to noted fine artists have worked on LAB HD productions.  Their work has been exhibited in numerous galleries, festivals and museums in the U.S., Europe and China. The work selected for PAM represents a particular concern of LAB HD: reimagining the medium of commercial TV.  These films were produced to commercial standards, but each one is a poetic departure from literal imagery and storylines.  Could visual poetry shake the channel surfer's world?  When watching these works, keep in mind that they are TV shows that were once sandwiched between reality programs, nature documentaries and other narrative fare. For more information please visit www.voomhdlab.com. About Ali Hossaini Ali Hossaini has worked on the cutting edge of television for many years. He is executive producer of Equator HD, a travel channel committed to natural and cultural preservation, and Voom HD Lab, a program that produces video art in high-definition television. He produces work with avant-garde theater director Robert Wilson, and his productions include performances by Brad Pitt, Winona Ryder, Robert Downey, Jr, Princess Caroline of Monaco, Sean Penn, Marianne Faithfull, Juliette Binoche and other cultural icons. As director of acquisitions for the Voom channels Gallery HD and Equator HD, he has built a library of premium cultural programming from Europe, Asia and North America. Previously he developed two Emmy-nominated iTV channels, Metro Traffic Interactive and Metro Weather Interactive. The ambient channel LAB, which was broadcast from 2003 to 2005, is on permanent exhibit at the American Museum of the Moving Image. His HDTV production of Don’t Trust Anyone Over 30, a Dan Graham project directed by Tony Oursler is exhibited at the 2006 Whitney Biennial. His first directed feature, Epiphany, premiered at Anthology Film Archives in 2006.

------  Created in 2006 by the artists Chris Brokowski, Aaron Miller, Raphaele Shirley and Lee Wells in collaboration with SCOPE, the Perpetual Art Machine is an internationally-reccognised touring interactive installation, a free online video art database and an expansive participatory community. The purpose of [PAM] is to increase the visibility of video art, develop a worldwide community for video artists, and to help video artists find opportunities to exhibit their work. [PAM]’s unique interactive touch-screen system, allows for the artist and the viewer to become active participants in the curitorial process through an increased engagement, creating an ongoing dialogue with thousands of video  works from some of today’s most exciting emerging video artists. For more information click here or contact us at: pam(at)perpetualartmachine.com

 

 

Miami and Miami Beach, Florida from December 4-10, 2007 will bring together in the largest convergence of fine art and artists the US has ever seen to play in the sun and party at night. Over 20 art fairs, more than 700 galleries and 1000's of artists from around the world all competing for sales and recognition by the world’s biggest collectors and most important curators and museum directors. If you want to play in the art world this is where you need to be. Here is a map and information to help you navigate the landscape of what Sam Keller of Art | Basel Miami Beach and Alexis Hubshman of Scope Art Fairs helped create over the past 6 years. If you plan to come down this year we advise for you to do your homework first. There is a lot going on and will quite possibly make your head spin if you are not prepared. Also if there are any major events that we missed and you would like to have them included in this list please contact us at This e-mail address is being protected from spam bots, you need JavaScript enabled to view it .

ART BASEL MIAMI BEACH CONVENTION CENTER/COLLINS PARK, 1901 CONVENTION CENTER 200 LEADING ART GALLERIES FROM AROUND THE WORLD EXHIBIT 20TH AND 21ST CENTURY ART WORK BY OVER 1,500 ARTISTS. ADMISSION: $ 30 (ONE DAY), $ 45 (TWO DAYS), $ 65 (PERMANENT), $ 6 TO $ 15 (SPECIALS) WWW.ARTBASELMIAMIBEACH.COM AIPAD WYNWOOD, 31ST ST AND NORTH MIAMI AVE MORE THAN 45 WORLD’S LEADING ART CONTEMPORARY PHOTOGRAPHY GALLERIES. ADMISSION: $ 10 WWW.AIPAD.COM AQUA MIAMI BEACH AQUA HOTEL, 1530 COLLINS AVE 45 DEALERS WITH A FOCUS ON THE WEST COAST. ADMISSION: $ 10 WWW.AQUAARTMIAMI.COM AQUA WYNWOOD WYNWOOD, 42 NE 25TH ST. 45 DEALERS WITH A FOCUS ON THE WEST COAST. ADMISSION: $ 10 WWW.AQUAARTMIAMI.COM ART MIAMI WYNWOOD, 22ND ST. & NW 2ND AVE 100 GALLERIES WITH A FOCUS ON MODERN AND INTERNATIONAL ART. ADMISSION: $ 15 AND $ 9 (GROUPS) WWW.ART-MIAMI.COM ART NOW FAIR CLAREMONT HOTEL, 1700 COLLINS AVE AT 17 ST. VERY CONTEMPORARY ART FAIR. ADMISSION: FREE WWW.ARTNOWFAIR.COM ART PHOTO EXPO THE SURFCOMBER HOTEL, 1717 COLLINS AVE MORE THAN 200 CONTEMPORARY PHOTOGRAPHIC ARTWORKS. ADMISSION: $ 10 AND FREE UNDER 18 YEARS-OLD AND STUDENTS WWW.ARTPHOTOEXPO.COM BRIDGE ART FAIR CATALINA HOTEL, 1732 COLLINS AVE THE LARGEST HOTEL FAIR WITH 64 EXHIBITORS. WWW.BRIDGEARTFAIR.COM CASA DECOR PAC DISTRICT, 1601 BISCAYNE BLVD 30,000 SQ. FT OF SPACE TRANSFORMED INTO INTERIOR CONCEPTS. WWW.CASADECOR-USA.COM DESIGN MIAMI THE MOORE BUILDING, 4040 NE 2ND AVE 18 DESIGN GALLERIES EXHIBIT THE BEST IN CONTEMPORARY AND HISTORICAL WORK. ADMISSION: $ 10 TO $ 15 WWW.DESIGNMIAMI.COM FLOW ART FAIR DORSET HOTEL, 1732 COLLINS AVE INVITATIONAL CONTEMPORARY ART FAIR PRESENTED BY 18 ESTABLISHED US ART DEALERS. ADMISSION: FREE WWW.FLOWFAIR.COM FOUNTAIN WYNWOOD, 2825 NW 2ND AVE INDEPENDENT GALLERIES SHOWCASE INNOVATIVE AND AMBITIOUS PROJECTS FROM YOUNGER ARTISTS. WWW.FOUNTAINEXHIBIT.COM GEISAI MIAMI WYNWOOD, 2136 NW 1ST AVE ADMISSION: $ 15 WWW.GEISAI.US INK MIAMI DORCHESTER HOTEL, 1850 COLLINS AVE FIFTEEN INTERNATIONAL FINE PRINT DEALERS ASSOCIATION DEALERS AND PUBLISHERS. WWW.INKARTFAIR.COM M*A*S*H DESIGN DISTRICT, 3800 NORTH MIAMI AVE PAINTING SHOW, HIGHLIGHTING THE WORK OF 25 EMERGING INTERNATIONAL ARTISTS ADMISSION: FREE WWW.COTTELSTON.COM NADA ICE PALACE, 1400 N MIAMI AVE EIGHTY-ONE DEALERS PRESENT ARTISTS IN THE EARLY THRUST OF THEIR CAREERS. ADMISSION: FREE WWW.NEWARTDEALERS.ORG PHOTO MIAMI WYNWOOD, NW 31ST STREET AND NORTH MIAMI AVE FIFTY INTL. GALLERIES, EMERGING AND ESTABLISHED PHOTO, VIDEO AND NEW MEDIA. ADMISSION: $ 10 WWW.ARTFAIRSINC.COM POOL ART FAIR CAVALIER HOTEL, 1320 OCEAN DR A CONTEMPORARY ART FAIR WITH ARTISTS, COLLECTIVES AND NON-PROFIT ORGANIZATIONS. ADMISSION: $ 10 WWW.POOLARTFAIR.COM PULSE MIAMI WYNWOOD, 2136 NW 1ST AVENUE, NW 21ST STREET A HIGH END FAIR WITH AROUND 70 DEALERS ADMISSION: $ 15 WWW.PULSE-ART.COM RAM MIAMI MIAMI CITY BALLET, 2200 LIBERTY AVENUE COHESIVE YET VARIED GROUP OF SOME OF THE WORLD’S FINEST FIGURATIVE ARTISTS EXHIBITED TOGETHER FOR THE FIRST TIME. ADMISSION: FREE WWW.RAMMIAMI.COM RED DOT FAIR SOUTH SEAS HOTEL,1751 COLLINS AVENUE BETWEEN 17TH & 18TH STREETS GALLERIES THAT WILL INCREASE AWARENESS AND EXPOSURE OF LESSER KNOW ARTISTS. ADMISSION: FREE WWW.REDDOTFAIR.COM SCOPE MIAMI WYNWOOD, 101 NW 34TH ST 85 OF THE MOST SIGNIFICANT EMERGING GALLERIES AND A SPECIAL FOCUS ON BERLIN, CHINA, L.A., JAPAN AND SOUTH AMERICA. ADMISSION: FREE WWW.SCOPE-ART.COM SEA FAIR DOCKED AT MIAMI BEACH MARINA, 300 ALTON RD. PRESTIGIOUS EUROPEAN AND AMERICAN GALLERIES WILL EXHIBIT THEIR FINEST WORKS OF ART. ADMISSION: FREE WWW.EXPOSHIPS.COM ZONES ART FAIR WYNWOOD, 2214 N. MIAMI AVE 50 INTERNATIONAL CUTTING EDGE GALLERIES, CURATORS, COLLECTIVES AND ARTISTS IN 25,000 SQ. FT., MIAMIS LARGEST NON PROFIT ARTIST RUN GALLERY SPACE ADMISSION: FREE WWW.EDGEZONES.ORG -------------------- PLUS A COUPLE OTHER PLACES TO CHECK OUT WHILE YOU ARE IN TOWN Bass Museum of Art 2121 Park Avenue, Miami Beach FL 33139  Tel: 1 305 6737530 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.bassmuseum.org Hours: Tuesday - Saturday 10am - 5pm, Sunday 11am - 5pm          CIFO – Cisneros Fontanals Art Foundation 1018 North Miami Ave., Miami FL 33143  Tel: 305 455 3380 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.cifo.org Hours: Thursday – Sunday, 10 AM to 4 PM The Patricia and Phillip Frost Art Museum Frost Art Museum, Florida International University, 11200 SW 8th Street, PC 110, Miami FL 33199  Tel: 1 305 3482890 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.frostartmuseum.org Hours: Mon, Tue, Thu, Fri: 10AM - 5PM, Wed: 10AM - 9PM, Sat, Sun: 12PM - 4PM   MAC @ MAM Miami Art Central at Miami Museum of Art, 5960 SW 57th Avenue, Miami FL 33136  Tel: 305 455 3333 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.miamiartcentral.org Miami Art Museum 101 West Flagler Street, Miami FL 33130  Tel: 1 305 3753000 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.miamiartmuseum.org Hours: Tuesday - Friday 10am - 5pm, Saturday - Sunday 12pm - 5pm MOCA at Goldman Warehouse 404 NW 26th Street, Miami FL 33127  Tel: 305 573 5441 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.mocanomi.org Hours: Wednesday - Saturday 12 - 5pm Museum of Contemporary Art, Miami 770 NE 125th Street, North Miami FL 33161  Tel: 1 305 8936211 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.mocanomi.org Hours: Tuesday - Saturday 11am - 5pm, Sunday 12pm - 5pm. Rubell Family Collection 95 NW 29th Street, 3 Blocks West of Biscayne Boulevard, on the corner of 29th Street and NW 1st Avenue, in the Wynwood Art District, Miami FL 33127  Tel: 1 305 573 6090, Fax: 1 305 573 6023, Bookstore: 1 305 573 6033 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.rubellfamilycollection.com Hours: Wed-Sun 10 - 6, Second Sat of the month 10 - 10. Admission $5.00, $2.50 students       The Wolfsonian-Florida International University 1001 Washington Avenue, Miami Beach FL 33139  Tel: 1 305 5311001 E-mail: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it www.wolfsonian.org Hours: Monday - Sunday 12pm - 6pm, Thursday and Friday until 9pm

TELECULTURE November 13 - December 14, 2007 Video based artwork by Chris Borkowski, Bethany Fancher, Gerald Förster, Taras Hrabowsky, Jennifer Jacobs, Eric Payson, Second Front, Mark Tribe, and [dNASAb] Curated by Lee Wells Artists Talk - Tuesday November 13, 3-5pm Opening Reception - Tuesday November 13, 5-7pm ------------ “Nothing – including ourselves – can be defined intrinsically; we are all in some sense extrinsic and relational achievements, conflations of body, culture, environment, technology. Moreover, the predominance of televisual and imaging technologies in contemporary technoculture has meant that our visual tools become inseparable from what we might discern as our own perceptual and bodily boundaries as ‘access’ to the world.” Ingrid Richardson, Telebodies & Televisions: Corporeality and Agency in Technoculture, 2003 ----------- TELECULTURE is a survey that brings together a diverse group of new media artists, whose work - ranging from photography to online virtual reality - embodies, a cross section of thought that investigates perceptions of identity in the early 21st century. Pace Digital Gallery offers a unique and challenging public environment, where as, through the sheer verticality of the space, the selected artworks combine to visually communicate a sense of claustrophobic post-millennial anxiety mixed with an un-definable euphoria, liberation, and freedom. CLICK HERE TO VIEW EXHIBITION Artists Talk - Tuesday November 13, 3-5pm Artists will be present to discuss their work, in addition members of the Second Front collective will be participating remote via Second Life. Discussion will be streamed live via the internet. Please check the gallery website closer to the date for more information. TELECULTURE will also be included as a featured video project at the Zones Contemporary Art Fair to be held during Art Basel Miami Beach from Thursday, December 6 to Monday, December 10, 2007, from 10am to 7pm. Edge Zones is a Miami based nonprofit 501c3 gallery, located in World Arts Building, 2214 N. Miami Ave., Miami Fl, 33127, in the heart of the Wynwood Arts District.   Please join us for a brunch reception and artist talk, Friday December 7, 11am. Artists present along with curator Lee Wells Pace Digital Gallery director Jillian Mcdonald will discuss the exhibition along with their thoughts on video and new media art today.  For more information goto: http://www.edgezones.org. Location Located at 163 William Street, a few blocks from City Hall, The Brooklyn Bridge, and Wall Street, Pace’s Digital Gallery is part of a vital downtown NYC art scene that includes historic architecture and national museums. PACE DIGITAL GALLERY PACE University 163 William Street, New York, NY For more information and directions please goto the website at: www.pace.edu/digitalgallery For additional information please contact us at: This e-mail address is being protected from spam bots, you need JavaScript enabled to view it or This e-mail address is being protected from spam bots, you need JavaScript enabled to view it ------------ This exhibition is generously supported by

Art Under the Bridge Festival September 28 - 30, 2007 Artists Meeting Project – gumbo@ dumbo 7 pm - 11pm. Font and Adams Street. Overlapping video projections and mobile surround sound including: Leesa Abahuni, Nicole Aba- huni, Daniel Blochwitz, Chris Borkowski, Ursula Endlicher, G.H. Hovagimyan, Thomas Hutchinson, Lara Star Martini, The Nsumi Group, [PAM] , Joao Salema, Raphaele Shirley, Lee Wells.

About the Festival: The Story of the Art Under the Bridge Festival and the story of Dumbo the neighborhood are inextricably contingent and both a phenomenon: each came out of nowhere. Born of a manufacturing wasteland in the late nineteen-nineties, both the Festival and neighborhood have evolved together. Each has been instrumental in shaping the other. Since 1997, the annual Art Under the Bridge Festival has given Dumbo its indelible cultural cachet, while the waterfront's post-industrial topography and extraordinary diversity of sites continue to inspire artists to create new public art works each year. For more info please visit: http://dumboartscenter.org/festival.html Download the PDF Program here